Corner St-Laurent and de Maisonneuve . The rooves of the building use the scale of the "Huge Upper Billboard."
The graffitti and the advertising billboard show the scales of the Poster Boxes and Screen boxes, respectively.
A pedestrian shown in relation to the poster basis.
In his URSS Pavillion, Melnikov uses the main staircase to create a moment uppon entering the building.
 
Creating an Image: the diffusion machine
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..lena buchinger
 
 
 
Building

Huge upper billboard It is located at the very top of the building. It responds to the CBC Tower and the Church’s steeple. It carries for a few days at a time the current main (or the current biggest) message of the building. It can be seen from afar- the Jacques-Cartier Bridge, the highway… It is the structure most striking element. It hides the most private part of the building.

CBC façade This is the most public side of the building. This is where most images are located, this is the side the crowd enters the building. It is obvious, biased, it draws all attention. It is colorful, crocked, and full of movement. It integrated most billboards and boxes.

     
Poster boxes Similar to the billboard, they support very strong images but are opaque in order to protect private elements hidden behind. They are covered with large posters.

Screen boxes Located at mid building height, they change instantly depending on what goes on at the moment in the building. They are made to be seen from people approaching the building and express its mood.

Boulevard René-Lévesque It is in essence very similar to the CBC façade but somewhat simpler. It conveys the general atmosphere of the building but insist less on outrageous messages.

Rue Amherst Very straightforward, almost boring duplex facade. It has a few strange details – no obvious door, chaos of antennas on the roof – but does not attract attention at fist sight.

 

Poster basis The building sits on a man-height basis. One can barely see above it. It is rough and heavy like the foundation of an old time fortress. It is covered with poster of all kind – movies, plays, shows, advertisement , propaganda…. They form second harsh envelope to the building. It is pierced once in a while by peak holes by which one can look down to the production facilities. Those look like accident in the façade, giving you a feeling of voyeurism.

Steps On the CBC side, large monumental steps lead trough the basis to the main entrance. They are imposing. They direct you toward your destination and guide your eyes. They put you in the right mood to interact with the building.

  K. Melnikov, Soviet Pavilion; Paris 1925...  

In between skin It fills the void between the most striking elements of the building. It contains most of the public zone’s elements. This is the stable part of the building; it conveys the non-changing message if the building about freedom of speech, diffusion of ideologies, and security. Somewhat translucid, it rendered opaque by a layering of written elements.

 
Numbers and measurements

Envelope Building Crust The exterior part of the building is its most public component. It is made to respond to different publics seeing it from different locations by using different scales. It is bold, obvious, eye-catching, and invasive.

Huge upper billboard

Poster boxes

Screen boxes

CBC façade 60m x 18m

Boulevard René-Lévesque

Rue Amherst

Poster basis

Steps

Peak holes

In between skin

 

13m x 9m

2 or 3 boxes @ aprox. 7m x 5m

2 or 3 boxes @ aprox. 5m x 3m

height varying between 8m and 60m, length of 26m

8m x 7,5m

1,8m x 26m

12 steps, 18m wide

 

0,4m thick

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DRM - Winter 2005