Dematte, Monica. La Biennale di Venezia - Qui Shihua. Italy: edizioni La Biennale di Venezia, 1999. p34

 

Murphy, Richard. Carlo Scarpa and the Castelvecchio. Great Britain: Butler & Tanner, Frome, Somerset, 1990.

 

O'Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. U.S.A.: University of California Press, 1986.

 

Sills, David L. International Encyclopedia of the Social Sciences. Vol.11 U.S.A: Crowell Collier and Macmillan, Inc., 1968.

 

Suner, Bruno. Ieoh Ming Pei. Paris: Editions Hazan, 1988. p95, p97

 

Torres, Ana Maria. Isamu Noguchi: A Study of Space. U.S.A.: The Monacelli Press, Inc., 2000.

 

Tschumi, Bernard. Questions of Space: Lecture on Architecture. London: Bernard Tschumi and the Architectural Association, 1995.

 

Tuan, Yi-Fu. Space and Place: The Perspective of Experience. U.S.A.:University of Minnesota, 1977.

 

 

 

BOOKS

 

The Architectural Review. Nov. 1985. p64

The Canadian Architect Yearbook. 1964 p46

Center for Contemporary Arts, Rome. The Japan Architect. Autumn,1999. No.35 p22

 

Domtar plants a park. The Gazette. Saturday, January 13, 2001

 

The flexibility of Kazuyo Sejima. The Japan Architect. Autumn, 1999. No.35 pp6-7

Glass/Water. The Japan Architect. Summer, 2000. No.38 p98

Kitakami Canal Museum. The Japan Architect. Summer, 2000. No.38 p114

The man without quality. Any. 1996, No.13 p5

 

Okayama Municipal Museum of Oriental Antiquities. The Japan Architect. Spring, 1997. No.25 p88

Particle on Horizontal Plane. The Japan Architect. Summer, 2000. No.38 p.120

Perspecta 16. p134, p97

Process: Architecture. No.72 pp142-143

 

 

Water/Glass. The Japan Architect. Summer, 2000. No.38 p92

 

 

 

PERIODICALS
[There is a significant change in use of roadway corners between the days of surface railways before and a network of subway today. Rroadway corners were covered with advertising whereas the importance of such roadway corners has been lost today.]
[Everything is undergoing an invisible but ceaseless transformation...the given order of thing is not as solid as it pretends to be...]
[Domtar, a pulp-and-paper company founded in 1903, will turn downtown parking lot into green space. This park is to be symbolic...the idea is to bring in species of trees that are actually used in their products.]
[a quotation stating the differences between 'looking' and 'seeing']
[precedent]
[the author introduces the relationship between the art and the spectator]
[definitions of visual perception and mental perception]
[Museum Planning-National Gallery of Art, Washington]
[precedents, the relationship between architecture and sculpture]
[study of space]
[study of space]
[precedent]
[precedent]
[precedent]