Annotated Bibliography The Architecture of Vision, by Michelangelo Antonioni: This book perhaps had the strongest effect on the direction that I have taken in my thesis. Written by Michelangelo Antonioni, I found the writings in the book very overwhelming, because they sincerely tell the stories behind the small scenes that made Antonioni's films so powerful and successful. El Lissitzky, 1890-1941 : architect, painter, photographer, typographer El Lissitzky, 1890-1941 : catalogue for an exhibition of selected works from North American collections, the Sprengel Museum Hanover, and the Staatliche Galerie Moritzburg Halle Two books about Russian constructivism, an era of which many artists have taken film and photography as a means expression, talking specifically about Proun art, which is associated with El Lissitzky, a descendant of Melovich, and a student of Suprematism art. The art galleries that were organized by Lissitzky provide an exploration of space and movement by studying the location and orientation of the images, and by model-making. L'Avventura, by Michelangelo Antonioni A film about how circumstance allows for the forgetting of a lost loved-one. The main characters are an architect and his fiancé's friend, and they both fall in love after the fiancé's disappearance. The story contains direct references to architecture that talk about the significance of old Roman buildings in the modern time. Il Deserto Rosso, by Michelangelo Antonioni This film sets a metaphor between mother and nature. On one level, we see a mother who is paranoid because she thinks the world as unsafe, and on another level, we see nature suffering from industrial wastes, disease and human carelessness. Space, Event Movement, by Bernard Tschumi The slides were very influential to me as a starting point. The breaking down of architecture, according to Tschumi's thinking, into space, event and movement, helped to clarify certain aspects of design, which could be later explored into more depths, but not necessarily in the same way as Tschumi's deprogramming (which is the design of the building's systems independently of each other). Le Fresnoy: Architecture in Between, by Bernard Tschumi The learning process in any filming school must emphasize the artistic and creative side of teaching, as well as the technical aspects that deal with film. Le Fresnoy Media Center, in Tourcoing-France, by Tschumi, considers the technological aspect equally important in order to prepare the students for a competitive edge. Le Fresnoy places much emphasis on the electronic age, its most important piece of the design being an "electronic roof," as Tschumi calls it. The roof takes the architectural idea of a hangar further by using it to protect the old buildings that exist on the site, thus saving money on renovation jobs. In conclusion we learn how romantic architecture can make use of technology placed in the backstage to nurse and nourish time-beaten buildings in the foreground. About Looking, by John Berger The message of this book to me was how the media (the camera) today is not being used to communicate, but rather to sell. It opens a watchful eye from corporate advertisements, which give a wrong impression. The camera must not lie, and should be used creatively to show the truth, of something or someone. Bernard Tschumi Architecture In/Of Motion, by Jos Bosman Buildings (and spaces) are related. Tschumi's projects demonstrated in the book show how the movement of people unifies adjacent spaces together and establishes a bond. If we link Tschumi's thinking with Michelangelo Antonioni's way of looking at things, we see that this continuously-changing spatial experience (of layers through space) creates sequences of events, like a filmstrip. These events become a proof of the dialogue between the spaces. To illustrate this, people leaving a theater after watching a play, will passionately congregate at the main entrance (event) in order to discuss the act. Cinema and Architecture, by Francois Penz and Maureen Thomas This book contains essays that talk about the issue of cinema and architecture. It contains a wealth of opinions about the subject, which cannot all be mentioned here. In summery, having read most of the book during the early stage of the research, it gave a good sense of the magnitude and the variety in the topic of cinema and architecture. A New Angel/Angle in Architectural Demonstration, by Marco Frascari This article was very beneficial in connecting the threads of image presentation to the architectural scenario. Although it does not deal with film, I believe that it relates to the drawing and well as the film aspect of architectural demonstration, which makes it essential to the development of any architectural thesis. Film Architecture, by Dietrich Neumann This book deals with both the technical and theoretical relationships between film and architecture. It contains an analysis of important films (Dr. Calgary, Metropolis, Blade Runner), which I considered as "cinematic" precedents to complement the "architectural" ones. Video-Architecture-Film, by Dan Graham A small technical book on experimentation with human behaviour, space and video-camera shooting. It is closer to cinema verité, than to story film-making. Movie Eye, by Raymond Drugnat The article is a long and comprehensive theoretical analysis about the use of film in architecture. Video-Architecture-Television Writings on video and video works. Helps in the understanding between video and film. Books 2G "Slowly Improving Vision: Williams Tsien Works" International Architecture Review N.9 1999, pg.21-29, 130-143 About Looking John Berger, Pantheon Books, NY 1980 The Architecture of Vision Michelangelo Antonioni, Marsilio Publishers, NY 1996 Bernard Tschumi Architecture In/Of Motion Jos Bosman, Netherlands Architecture Institute, Rotterdam 1997 Cinema & Architecture Francois Penz and Maureen Thomas, British Film Institute, London 1997 The Elements of Screenwriting Irwin R. Blacker El Lissitzki 1890-1941: El Lissitzki, Eindhoven : Municipal Van Abbemuseum, NY 1990 Film Architecture Dietrich Neumann, Prestel, NY 1996 Le Fresnoy Architecture In/Between Bernard Tschumi, Monacelli Press, NY 1999 Article: "A New Angel/Angle in Architectural Research: The Ideas of Demonstration" Marco Frascari A Psychology of Buildings Glenn Robert Lym, Englewood Cliffs, N.J. 1980 Space, Events, Movement [slides] Bernard Tschumi, Pidgeon Audio Visual, London 19996 Video-Architecture-Television Dan Graham, Press of the Nova Scotia College of Art & Design, Halifax 1979 El Lissitzky, 1890-1941 : catalogue for an exhibition of selected works from North American collections, the Sprengel Museum Hanover, and the Staatliche Galerie Moritzburg Halle El Lissitzky, Harvard University Art Museums Cambridge 1987
	Articles Frascari, Marco, A New Angel/Angle in Architectural Research: The Ideas of Demonstration, JAE November 1990 pg.11-19 Drugnat, Raymond, Movie Eye, Architectural Review March 1965 pg.187-193 Kling, Vincent, The Architect as Film Maker, AIA Journal February 1971 pg.23-25 McLaughlin, Herbert, That Architecture Plays in the Movies, AIA Journal January 1975 pg.39-41 Bernard Tschumi Architects: Parc de la Villette, GA Document Vol.26 pg.38-39 Metropont, Lausanne, Switzerland, Architecture August 1994 pg.33
	Movies Connect to the Internet Movie Database L'Avventura (The Adventure) -- 1960 Michelangelo Antonioni Blade Runner -- 1982 Deserto rosso, Il (Red Desert) -- 1964 Michelangelo Antonioni Metropolis -- 1927
	Internet http://www.tschumi.com Paperless Problem http://www.arch.columbia.edu/Pub/Precis/site/13/csmith.html comment: why paper medium is adequate for design, and what can be translated to other mediums. Kinomatics & General Movement in Architecture http://www.owlnet.rice.edu/~gomer/kino.html comment: example of using computer animation as presentation of movement. Architecture Goes to Movies http://www.brown.edu/Administration/George_Street_Journal/v20/v20n13/film_sets.html comment: reference to movies which had an influence on architecture.